
Believed that “fraud
was banished from its presence” –sapphires enabled the ancient sages to understand the most obscure of oracles.
The Bishop of Rennes, in the twelfth century, wore sapphires in ecclesiastical rings—perhaps, because of the ancient spiritual beliefs.
Star sapphire, representing faith, hope and destiny from three crossed lines, light beams reflecting from the top of a cabochon-cut sapphire, has been called “the stone of destiny.” The star sapphire’s reflective beams were believed to signify the lights from the Star of Bethlehem.

Sapphire mining began in 544 B.C., before the time of Buddha, in Sri Lanka. Marco Polo’s travels took him to the ‘Island of Serendib’, known as Sri Lanka, where he admired the stunning and colorful stones.
The Hindus, Burmese and Sinhalese recognized that ruby and sapphire were of the same mineral long before the Europeans did. It wasn’t documented until 1800 that ruby and sapphire are gem varieties of the mineral corundum. Corundum is found in many different colors, depending on the percentage amounts of the different metallic oxides incorporated within the crystal. Sapphires can be yellow, pink, violet, green, brown and orange, in addition to the blue hues. Padparadscha, a rare, vivid orange sapphire, was named from the Sinhalese word for lotus flower.

Ideally, a blue sapphire should exhibit an intense blue without color zoning or internal flaws. Color zoning refers to a variation of shades of color intensity from within a stone, reflected deeper blue hues distinctly separated from lighter hues. Internal flaws within the stone may appear as white or black lines or specks, greatly diminishing the value.

The most valuable sapphires have an intense, evenly distributed royal blue color with a reflective sparkle. Blue sapphires can be confused with benitoite, iolite, kyanite, spinel, tanzanite, tourmaline, and irradiated blue topaz (originally white, known as London blue.)
Synthetic sapphires have been produced since the early 1900’s and have properties identical to natural corundum. Synthetic star sapphires became popular for men’s jewelry in 1947 and in the 1960’s. Please refer to my earlier post on synthetic gems.
The most famous source for fine sapphires is the district around Mogok in upper Myanmar. Other important sources for sapphires have been Thailand and Cambodia; where gem deposits are derived from basalt, an iron rich rock. Recently, in 1980, gold miners unearthed gem quality rubies and sapphires northwest of Hanoi, Vietnam.

Sapphires with colors ranging from blue, violet, purple, yellow, orange, white and pink are found exclusively in Sir Lanka. No other mines have produced a greater variety of colorful hues. Discovered around the globe, sapphires have been obtained in China, Afghanistan, Pakistan, Australia, United States, Kenya, Tanzania, Nigeria, Malawi, Zimbabwe, Brazil, Colombia, Norway, Finland, Czechoslovakia, Russia, Romania and Borneo.
Sapphires are cut in different shapes. Finer quality stones are typically cut in a step cut, oval or round. Flawed and poorer quality sapphires are tumbled into beads or used for carving.

In 1894, large sapphire deposits were discovered in Yogo Gulch, Montana, USA, and remained an important source until the end of the 1920’s. The unique color of the Montana sapphire varies from steel blue to pale violet blue. Tiffany Jewelers embraced the newly discovered sapphires immediately and became one of the first jewelers to use the lively blues in their jewelry collections. The mixture of the Montana Sapphires blue hues are striking when used in monochromatic designs. An example of this is the butterfly pin created by JAR, exhibited in the French Masters Jewelry exhibit at the Legion of Honor in San Francisco.
Jewelry collectors, such as Barbara Hutton and Daisy Fellows were envious of the Duchess’ sleek panther pin. This competition prompted orders for magnificent panthers in varying poses from Cartier Jewelers. The image is a crouched panther in a life like pose on a large perfect round cabochon star sapphire weighing 152.35carats. The Panther motif has become one of Cartier’s most iconic designs, incorporated in their jewelry and watches collection.

Created to commemorate the exhibition of the treasures from Tutankhamen on exhibit in 1972, this unique Egyptian style necklace was designed by Bulgari. Incorporating a mix of colorful combinations of sapphires, Bulgari produced a fitting jewel for the occasion. Large cabochon cut blue sapphires, black onyx, salmon pink coral and diamonds –the necklace was designed in lotus flower motifs. Representing Egyptian art form, in color and mantle style, the necklace is comparable to the jewels worn by the Egyptian royalty.
Image credits:
Daisy ring: Alex Deleuse 2009
Cut sapphires: Gems and Crystals, From the American Museum of Natural History, Anna S. Sofianides and George E. Harlow. Photographs by Erica and Harold Van Pelt
Simon and Schuster, 1990 New York
Mogok mine: Mogok, Myanmar. Ein Reise durch Burma zu den schonsten Rubinen und Saphiren der Welt
Roland Schlussel. Photographs by Roland Schlussel. Germany 2002.
Sapphire Butterfly: Masterpieces of French Jewelry, Judith Price. Running Press 2006
Cartier Panther: The Jewels of The Duchess of Windsor, Johne Culme and Nicholas Rayner, Vendome Press 1987
Art Deco Necklace: Masterpieces of French Jewelry, Judith Price. Running Press 2006
Egyptian and jeweled sapphire necklaces: Bulgari, Amanda Triossi and Daniela Mascetti, Mondadori Electa 2007
Sapphire Briollet necklace: Alex Deleuse 2009
Additional Information Credit:
Gems, Their Sources, Descriptions and Identification, R. Webster 1962 Oxford
The National Gem Collection, Jeffry E. Post, Smithsonian Institution 1997
Famous Jewelry Collectors, Stefano Papi and Alexandra Rhodes, 1999 Thames & Hudson, London